BOOK REVIEWS
Maiolica Olé:
Spanish and Mexican Decorative Traditions featuring the
collection of the Museum of International Folk Art, by
Florence C. Lister and Robert H. Lister with Foreword by
Robin Farwell Gavin. 2001, Museum of New Mexico Press,
paperback $32.50, ISBN 0-89013-389-1, also in hardback.
176 pages, 160 color plates.
Maiolica is hot right now. Very collectable and sought
after. This book highlights 144 examples of historical
pieces made between the 17th and 18th centuries. Mexican
maiolica began with the Spanish conquest in 1521.
This is a beautiful book that will make collectors very
happy to get additional reference material. The pictures
are wonderful and show the pieces, flaws, wear, and all.
There is a bibliography for additional references as well
as a full list of illustrations. We applaud whenever a
museum takes the time to document collections and expand
on the research associated with it. Collectors will love
it.
Arte Latino: Treasures from the Smithsonian Museum by
Jonathan Yorba. 2001, Smithsonian Institution and
Watson-Guptill Publications, paperback, $19.95, 112, 50
color photos, ISBN 0-8230-0321-3.
Any time we can see and appreciate some of the wonderful
things that Smithsonian has in its collection, it’s a
good day. I only wish this book had been available when
we saw this traveling exhibit in El Paso. But the exhibit
will be in Santa Fe at the Museum of Fine Arts from late
June until September. So we will get a second chance to
see the pieces with the background information.
The exhibit has art from many Latino origins: New Mexico,
Puerto Rico, Mexico, California, Cuba, Guatemala, and
maybe others but only three of the fifty artists are
identified as to place of birth. Odd? But in any case the
book is very nice and the color photos of the pieces are
wonderful. Some of the New Mexicans represented are:
Pedro Antonio Fresquis, Gloria López Córdova, Charlie
Carrillo, Ramón José López, Felix López, Horacio Valdez,
Irvin Trujillo, Luis Tapia, José Benito Ortega.
For those who love to see New Mexican devotional art in
the context of international Latino art, this is a well
done and quality publication. Get it at the Museum of
Fine arts store in June.
El Favor De Los Santos, Produced by KRWG-TV New Mexico
State University, $25 plus shipping and handling. 56
minutes & 38 seconds.
The folks at KRWG-TV (Las Cruces PBS affiliate) are very
proud of their video El Favor De Los Santos. And with
good reason. In 2001 it won a documentary emmy for the
region and the Hispanic Journalism TV Photos First Place
award. We like it because someone had the foresight to do
both a wonderful book on the exhibit and this video so
the exhibit would live on for those who appreciate and
those who do research.
The video is the highest quality showing selected
retablos and ex votos from the exhibit but more
importantly putting the tradition in context all the way
back to the Aztecs. It links the traditions in Mexico and
New Mexico seamlessly. Many guests talk about their
history with the images. One particlularly interesting
older lady talked about how the santos are like lawyers
who interceed for us with God. The video is a great
overview for religious history classes. We highly
recommend this video.
Casa Mañana: The Morrow Collection of Mexican Popular
Arts, edited by Susan Danly, Introduction by Ilan
Stevans. 2002 University of New Mexico Press, Hardback,
$32.95, ISBN 0-8263-2805-9, 211 pages, 34 color photos
and 90 B&W.
Dwight Morrow was Ambassador to Mexico from the United
States in the late 1920s. He and his wife Elizabeth fell
in love with the folk art of Mexico and collected it
while there. Casa Mañana was their weekend home in
Cuernavaca, Mexico. In it was their textile, pottery, and
lacquerware trays. In 1955 one hundred and fifty-five
pieces of their collection were donated to the Mead Art
Museum at Amherst College.
This book is not picture heavy but does have a pictorial
checklist of the Collection as well as some beautiful
plates of the pieces and political memorabilia of the
time. There are essays by Jill Meredith, Ilan Stevens,
Susan Danly, James Oles, Anthony Lee, and Rick López.
There is an extensive bibliography as well as in depth
notes. The book is a must for students of Mexico and
Mexican art. It does more of a job of putting the art in
context than other similar books. It reminds the reader
that there was a fluid political and social climate that
influenced everything that went on in Mexico.
Paintings of the Southwest, edited by Arnold Skolnick and
Introduction by Suzan Campell. 2002 University of New
Mexico Press, paperback, $$, ISBN 0-8263-2843-1, 128
pages, many color plates.
Books on art need to serve a purpose. Do they provide new
research, area picture or reference book, or do they act
as a guide for other artists? I can’t figure out what
this book wants to be. It is very pretty as one page
after another of paintings - divided by short quotes from
notable people but why? It is a small book so it is not
the usual coffee table book. The best I can figure is
that it is a book for tourists.
It is flawed in its exclusion of some major painters in
New Mexico: Frank Applegate, Eliseo Rodriguez, John
Nieto, or anyone in the contemporary Hispanic or Native
American schools of art. You might say it doesn’t show
contemporary but it indeed does with Alyce Frank, Wilson
Hurley, and Morris Rippel. It does have work from Native
Americans, Pablita Velarde and Fritz Scholder but
Hispanics don’t exist. It is a pretty, little, flawed
book for people who want to look at a pretty picture and
don’t know any better. But again I have to ask, “What is
the purpose for this book?”
Mexican Architects: Tradition & Modernism by Fernando
de Haro & Omar Fuentes. 176 pages, 245 color plates,
hardback, $45, ISBN 968-7471-06-9.
Mexican Architects: Space, Light & Color by Fernando
de Haro & Omar Fuentes. 224 pages, 256 color plates,
hardback, $45, ISBN 968-5336-00-8.
For anyone who loves beautiful pictures of stunning rooms
and homes in a tropical setting this series is for you.
These books are part of a six book series of coffee table
books. For lovers of everything Mexico these are great to
have. The books are published by Arquitectos Mexicanos
Editores and distributed by AGD (800-284-3580).
Sin Nombre: Hispana and Hispano Artists of the New Deal
by Tey Marianna Nunn. 2001, University of New Mexico
Press, hardcover, $50.00, ISBN 0-8263-2399-5, 205 pages,
70 color plates and 75 B&W.
It is sad that this book could not have been published
while the exhibit of the same name was up at the Museum
of International Folk Art. It is new information that
could have been helpful to those interested to have the
visual stimulus and the book together. Instead it came
out almost a year later. It is important to have a
literary record of this time in New Mexico. One of the
only other books/published items of that time was the
Portfolio of Spanish Colonial Design in New Mexico — it
isn’t even listed in the bibliography. We were
disappointed that more names of the WPA artists could not
be unearthed. It also is a bit unnerving that in a
scholarly book there is a strident undertone. While the
author talks about the “Blue Books” of the period and how
they are used today there is no information about them.
An accompanying book on the ”Blue Books” would have been
helpful or passages from them in Sin Nombre at the least.
This is a start for documenting a historical period that
has had little attention and maybe other scholars can
take it one step further.
First published in Tradicion Revista, Volume 7, No. 1,
Spring 2002.
Copyright 2002. May not be reproduced in any form without
written permission.